#13

After Dreaming

1

I’m so sick of all of these Goddamn birds;
the moon staring with her gigantic monster eye.

Everything pelican water. Everything
fin & flower.


2

Adam is dead & his ghost comes back—soothsayer. He flutters. He loves.
Then, snakes writhing out of ashes—hissing.

I am putting out fires with bottles of milk
& crying thundered tears.

He speaks to me with his second throat.
I want him to—

A golden trellis drops down from his hand & I
move & move--my mind-wheel.

I ask him, “How do I know this map is true?”
& I make my own water-sketch.


3

Every line: a tiny counterfeit dictionary.
This is what happens: a rusted fence.

From Negotiating With Objects (Tentative Title)

~Lisa M. Cole~


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#12

After Hiding

Listen: The body has a way of offering signs--
when her arm becomes a sword, a muted gun,
everything turns out wrong.

First, she enters this room, then another. But there are no windows—
no way out. She’s locked--like a door, like a safe. She’s hollow,
she’s meandering again; listening to the steady static in her skull:
Sunday morning creeping like a nun; Sunday morning coming down.

She must become her own oracle
but she doesn’t know: There is still time
to salvage this blue-colored day from all of these white-faced ghosts;
make a stanza with her body.

As usual, she is negotiating with empty objects:
the moving car, the wooden chair, the winding stairs.

Here is what she does know: ghosts
can only do so much. They have no hands.

From Negotiating With Objects (Tentative Title)

~Lisa M. Cole~

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#11

After Lying

Because I am a maven of disaster,
I have hooks for hands, marbles
where my eyes should be. My
bloody boomerang heart in an hourglass.

When hysteria means brilliance
the girls with fevers are all glim & stutter
waiting like a plague, lying like dead
doves on fainting couches, in fainting rooms.

In the pantry, I find a photo of a jackalope and a
deck of cards with all the queens missing.

From Negotiating With Objects (Tentative Title)

~Lisa M. Cole~

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#10

Santa Muerte

See you here, in the clutch of air
crackle of nerves, black ice--
a condition that cannot be fixed

Mortal, now, forever
redruin gasps, blue lips fade
the shattered toy limps through
paradise of viscera

etched of the blade in hollow of heat
A thing that cannot be, never was, and never leaves

The skulls are tumbling from the mountains
rung of some essential bell
a place that is hallowed, all-too-human

An error seared in the skin
An erasure that keeps on writing

The cord snaps, but the shadows sustain:
a condition that cannot be fixed


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#9

Parnassian Screwdriver

Blood crank, erase upon reading
telenovela of the serpentine
grasps without meaning

Hola, jefe. The pig wears a tuxedo and sucks his
gnarled loins in, still springs the spiral cock
(at the mountains of muddiness)

The Parnassian Screwdriver
Haloes, fallow well met:
Crimson ghosts of Eden spook the very gods.

The night time is the right time.


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#8

Chip Mind

Inspired by “Nanotime” by Bart Kosko

I dreamed I had a chip mind
I had been replaced
My memories, knowledge and self awareness
Downloaded onto a chip
Implanted back into my own brain
I called on menus in my head by silently speaking
opening windows within windows within windows
Though I controlled my body
I no longer was my body
I could feel terror in the pit of my stomach,
if I chose
I could feel
the uplifting shiver of first love,
if I desired

I lived whole lifetimes in my chip mind
Thousands of years outside
of the time outside

I could do anything, in my chip mind
I could fuck a million men
Or women and children
Or beasts and ghosts
With one flick of my eyelid
I could turn whole civilizations
Into blood and smoke
And after many eternities
I no longer wanted to do

anything

I dreamed I had a chip mind
I could feel
The desolate wind
of the enormous database inside me
I was curved
I was a universe
I could hear the echoing
of all the information I contained
I could download files and databases
of knowledge that tasted like liquid light

I dreamed I had a chip mind
And when I woke my meat was shining
Shining open at the base of my spine
And I was never as wondrous
As the dreams of the meat mind
And I was never so relieved to be

Just flesh and cells

just blood

water

electricity


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#7

Mused

For Jeanine

And if I rape you, my teacher, my muse 
and if you rape me, my student, my ether
it’s nooses at dawn, and shackles at midnight
my sister my lover my girlfriend
my friend

together tonight alone we fight
with the other we find in ourselves
we rape our own muses like mad masturbation
from a lost lifetime our muses we merge

we go down together, we rise suddenly
our bond squares dimensions our words merge the reason
the mystic unearths

my worthy worthy adversary
my other half of the best friend necklace
cracked somehow wrong

my sister cocooned butterfly
the stifled beating of our wings
against the hollow of the wall
I hear you somewhere
your wings sound like mine
and wings they sound an echo so rare

together we are alone tonight
drowning in the skin
of someone we have never been
reeling in the wake of subatomic distances
measured dimensionless to dust and stars
where we are tonight,
moths embedded in the light
tonight we pierce words in our lungs

our husks themselves sometimes take hold
the memories of our porous minds
like an awkward demon possessing
some rareborn wide-eyed child tonight

as If I rape you, my teacher my muse
as if you rape me, my student my ether
            it’s nooses at dawn and shackles at night
my sister my lover my girlfriend
my friend

my worthy worthy adversary
my other half of the best friend necklace
cracked somehow wrong

wafting of our voices
when they are true
we have touched hands
across harsh depths

across these depths,
we have touched hands
our muses wept,
our spirits writhe
on sharp rocks,
we have touched hands

as if I love you
my teacher my muse

my sister cocooned butterfly
the stifled beating of our wings
against the hollow of the wall


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#6

Caul

Wrapped like sky and curled
jelled soft muscle spasms
dilute your blood
your hands, lined and scarred, go transparent
jelly-veined like tv aliens
fingernails break below skin line
sky folds, crumples around your toes
spider-fingers suck from your lips
like a naked baby in a green jelly-jar

it is warm here
warm like a curled fist
in a drowned bath
warm like a loose tooth
the sky has turned to winter
and you are warm


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#5

Neon Confessional

Of course I’m intrigued by something shiny so I approach. An electronic eye scrutinizes my body and automatic doors fold open. Liquid green light stripes me. Is this some kind of disco? Why am I naked? The light that scans every fissure and fracture is sticky liquid green like the sports drink my daddy loved.

You intone from your alcove I want to know more about your daddy. How boring. I fish with my foot for a magic button in the floor which I can stomp and trapdoor myself out of here. It’s then I notice you’ve stuck all these bandages to my body. They’re skinmelted. My short nails pry and pry.

I’ll be here for hours I warn. Fine. Your voice like noise from a drain. Is that a pitch adjuster you are using? It’s like an evil puppet with neurosyphilis. Fine. Take your time. Tell me about your daddy. My foot keeps searching.




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#4


Exit Plan

Curled knees-to-chest on the stretcher,
Emma thinks: They still have not intruded
on my body. She’d wildfired a long chug

of scotch, then sixty blue pills, some
yellow ones, her room mate’s insulin
from the fridge. Then leaned out

the third-floor window howling
while the neighbor children watched, big-eyed.
Someone called and they push-pulled

her into submission, bloodied her nose. The EMT
asked what’s your name. She said Emma but it sounded
like I’m mud, a foreign voice from under water.

Now it’s after-hours and tubes worm in and out.
Her heartline trudges across the monitor. Emma
asks am I going to die. The nurse says Probably 

not. Her throat closes around the NG tube.
Tears and charcoal on her face. She whispers
good. He thinks she is gagging, blots her cheek

with a tissue. She wants to say don’t touch.
He wears a golf shirt, his chest so close
she can see the red threads intersect.




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#3


Cul-de-Sac 

No one wants to remain 
in this house. It’s crowded. All the food
tastes like dirt. The silverware
is rusted. The windows are blacked out, 
the bookshelves lined with crime novels.
The covers feature tortured innocents,
unpunished criminals who go insane.
All the mirrors render you unsightly.
Everyone’s mouth is stuffed with cotton
or ice. The phone rings. An acquaintance 
has discovered your obscene habit. The mail
arrives. Another guest has already opened
your package of incriminating photographs.
A sallow man with a dried-up nosebleed, 
he approaches, pushes it toward you,
asks, Isn’t this yours?



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#2

Crust

Flee, the crust will follow

Answer, the crust will obey

License it, the crust wears the dork hat

Dismember it, the crusty cells remember it

Crust never slops

Unlike the wobbling Butterfoot

Sewn through the arrow that blears the sun

Crust is a mole

With goosed robot eyes

That leer with erotic telepathy

At the musk rose in its sin bath.




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#1


Grind

How sweet the grind

That pulls the haloed wagon

How bitter the anti-grind police

Their wet instruments

Polluted by the dreams of sundials

How cold the grip

That spooks the frosting from weeding cakes

Into complaisant obedience

How narrow the hole

Nicked by the shadow of a bee’s machine gun.